All Posts

Fetish Horse 3 February 16th, 2013

Dies Saturnus

Sol 28* Aquarius

Luna wn in Taurus, 40%v

 

Fetish Horse 3 (Red Mare)

berchemia (pink ivory wood), sterling silver, gold leaf, glass, resin

4.15cm x  3.8cm x 1.2cm    (1.75 in. x 1.5 in. x 0.5 in.)

 

 

 

 

first venture into knifemaking February 8th, 2013

Nox Venus

Luna NEW in Aquarius

Cat Claw Knife

412 layer Damascus steel, pre-ban salvaged elephant ivory, brass, sterling silver

8.8cm x 3.2cm x 0.8cm (3.5 in x 1.25 in. x  0.32 in.)

 

 

Schreger pattern visible in ivory handle.

breakup charm December 27th, 2012

Nox Jovis

Sol 6* Capricorn

Luna FULL in Cancer

 

Breakup Charm

sterling silver, copper,  rose quartz, miniature ceramic feet

5.4cm x 4.0cm x 3.0cm (2.15 in. x 1.6 in. x 1.2 in.)

 

For moving on.

Charm of silver and rose quartz with turning quartz element mounted on small raku feet. The outer ring is stamped with the charge “turn and go”, and  is pierced with two clubs and two spades representing the Two of Wands (Dominion) and the Two of Swords (Peace) in the Tarot deck. They ward the stone at center.

 

The back of the quartz setting is pierced with two hearts representing the Two of Cups (Love), allowing the two hearts to flash with light through the stone as it is turned.

 

 

The feet are capped with copper diamonds, representing the Two of Disks (Change).  May they carry the bearer onward to a healed heart and a renewed self.

 

lively December 26th, 2012

omg I didn’t melt that setting!!! December 10th, 2012

December 3rd, 2012

 

traveler’s charm November 23rd, 2012

Dies Venus

Sol 2* Sagittarius, Luna in Leo wx 81*v

 

 

Traveler’s Charm

1962 British halfpenny, sterling silver, copper, 14kt gold, diamond

2.5cm x 0.25cm (1.0 in. x  0.09 in.)  Coin-sized, to fit easily into a pocket or wallet.

 

Obverse: three concentric circles with golden heart and watchful eyes, inscribed with three line charm made from anagrams of the 11 letter phrase “safe travels”:

VALES FAR SET / FAST REVEALS / A VASTER SELF

 

Reverse: sailing ship with guiding star.

kitten tooth pendant November 21st, 2012

Kitten Tooth Reliquary Pendant

sterling silver, gold leaf, moonstone, resin, rice paper, kitten tooth

pendant: 3.2 cm x 2.0 cm x .35cm ( 1.25 in. x 0.75 in. x 0.125 in.)

moonstone element: 1.2 cm x 0.7 cm x 0.5cm (0.5 in. x 0.32 in. x 0.19 in.)

 

Reliquary pendant made to contain shed kitten tooth. Inscription of name and date on reverse (not shown).

 

 

on the bench November 15th, 2012

 

Sterling setting for kitten tooth and moonstone.

 

Gilding the interior  the tooth- it is so tiny, I had to lay in the gold leaf with a needle point, and burnish it with the back (loop) end of the same needle.

Fetish Horses November 5th, 2012

Dies Luna

Luna wn 62%v

 

White Mare

camel bone, turquoise inlay

3.6cm x 3.0cm x 1.0cm (1.42 in. x 1.18 in. x .37 in.)

 

 

Landscape Mare (Melanippe)

ziricote wood, brass inlay

5.4cm x 4.8cm x 1.3cm (2.12 in. x 1.87 in. x .5 in.)

 

 

 

 

October 2nd, 2012

Dies Mars

Luna wn 93%v

 

A pretty piece of ziricote prepped for the next piece.

 

harmonic door September 11th, 2012

Nox Mars

Luna wn 13%v

 

Harmonic Door

brass, copper, sterling silver, 18k yellow gold, harmonica parts, resin

8.7cm x 15cm (3.5 in. x 6.0 in.)

 

 

The way in.

 

 

 

The other side.

 

The broken reed has been replaced with a reed of 18k gold.

     

 

 

space September 2nd, 2012

Nox Solis

Luna wn 95%v

It’s been quiet over here for a little while. My trusty little camera finally gave up the ghost a couple of months ago, and so there have been no pictures of what’s on the bench lately. It’s just as well as it’s been quiet in terms of developing pieces, too. There is some tectonic shifting going on inside me and it feels best to let it finish what it’s doing before launching into the next phase of works. I need to put some things down, listen, and make some choices.

Newly freed from some old burdens, it is yet to be seen what will grow into that space. It’s wonderful but…well…quiet.

More to come for sure. But for now, some space.

 

 

Protected: flying lessons August 12th, 2012

This content is password protected. To view it please enter your password below:

a soak July 8th, 2012

As I put substances through various irreversible chemical changes in art (and Art) processes I wonder about the correlatives to those processes in ritual, most particularly initiation rituals. What are the actions and reactions that bring about transmutation, what are the necessary conditions? I do not mean a description of the specifics to one particular operation, but what are these actions in a more general, identifying sense?

What are they, and what is the good?

Practically, in the micro: what should one pay attention to, what not to worry about. One of the first things to figure out before anything can be done. In the macro: “what is thy will?” That decides pretty much everything else.

But back to the operation-

How may the “harmonious detachment” be mapped, those separate spaces of the materia’s own potential and mystery that are really not the (explicit) business of the operator? And on the other side of the mirror, the evolutionary needs/impulses of the operator that cause him to undertake the work, yet the materia cannot fathom these factors, nor is it necessary for it to do so. Yet both are united in the work, and each catalyzes the other albeit in different ways.

-the natural law of the realm they share unites them, as both must abide by it in whatever place they coexist enough to work one upon the other, the field in which the work takes place
-perhaps karma brings them together (though I admit that I am not sure that I know enough about “karma” to use that word.)
-other forces unite them – the animated and animating air, the living fire, the vessels, pure water, invoked beings of whatever sort, the physical space of the lab- all have one hand on the operator, one hand on the materia. There are a lot of officers at that wedding, it seems.

Can an increase in sensitivity to observing physical transmutations lead to better perception of more subtle ones? I think so. My modest experience in this so far has led me to believe so. Otherwise, why undertake any sort of regular practice? It’s why things must be done as much as studied.

What irreversible chemical changes have I observed in materia and/or operator as a result of dramatic ritual? What transmutations, even if they started invisibly?

I’m not ready to analyze this in terms of (my) life-particulars yet, I’m still soaking in this, still experiencing the question and I don’t want to hurry out of that lovely state. It feels like a good direction to be tending.

jupiter wheel pendant June 11th, 2012

Dies Luna

Luna wn 50%v

 

Jewelry-scale pendant created for the film project Maybe God Is Talking To You. Reverse of pendant features a turnable wheel.

sterling silver, tin, brass, copper, amethysts, diamond, resin

3.2 x 3.2 x .5 cm (1.25 x1.25 x .20 inches)

 

ukonvasara: carved reindeer antler inlay June 8th, 2012

Awaiting blood and red ochre staining in the incised lines.

in progress June 4th, 2012

 

Jewelry scale pendant for film project, in progress. Sterling setting foundation, tin square with marbelized ink glaze.

Front face, prior to wheel installation. Amethysts, brass clubs, resin, copper axle hole liner, diamond.

 

Commission/Donation: Maybe God is Talking to You May 15th, 2012

Four miniature pendant paintings commissioned for Mark Levine’s film production of Maybe God is Talking to You. These were commissioned to be thank you gifts for backers contributing in one of the pledge categories in his successful Kickstarter campaign.

All are hand fabricated from copper, bronze, and brass and filled with enameling resin. A variety of techniques and other materials was used in this series. They are small paintings intended for hanging on a wall or in a window, each measuring about 2-3″ (5-7.5cm) in diameter and about .5  inch (1.25 cm) thick.

A fifth jewelry-scale pendant will be made in silver, to be featured in the film.

 

Passing

 

 

Path of Nun

 

 

Ouroboros

 

 

King of Hearts

 

 

 

Here is what one of them  looks like hanging:

ebony and snakewood wand May 9th, 2012

Dies Mercurius

Luna wn 82%v

 

Ebony and Snakewood Wand

ebony, snakewood, brass

53cm x 2cm (21 3/4 in. x 3/4 in.)

 

 

 

 

 

Hand carved spiral tip wand. Tip and butt in snakewood. Body in ebony with opposing spiral of four wings.

 

 

© 2018 Jackbird Arts

Powered by WordPress